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Pomandère celebrates 10 years of activity with TRANSPARENCY, an Art Business project created in collaboration with three international artists:
Anne Grebby, Vera Dieterich e Luigi Turra.
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An art project inside the company. Three artists work closely with Carlo Zanuso and his production team.
The artistic residency of Anne Grebby, Vera Dieterich and Luigi Turra triggers a totally different design process, which leads to the creation of eight sculpture dresses with reductionist music installations.
The works conceived in the new Pomandère space, an industrial archeology site, were created using work areas (style, product, communication) and using machinery and fabrics that are not usual for artists. Art and fashion creates an atmosphere of total sharing. The exhibition event in the company will continue with itinerant installations of the works and the involvement of suppliers / customers through a new original communication method.

Anne Grebby

GAZE
Looking and different from observing. It is an invitation to focus on observing and investigating. The text can be read only by the mirror. It is the reflection of yourself, of your soul, and of the essence of the human being and it remains forever. The mirror also acts as an eye and I mirror myself in the eyes of others.
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Vera Dieterich Wilsten

VOICE
If you reach your inner voice, the artifices (represented by the black dress) created will fall. It is a provocative work as “We all speak but only few of us have the courage to speak boldly and express opinions”. It contains a creative part that lies in the constructive dialogue between people, the exchange of opinions that transform. Even if the voice is intangible, it is able to distort, hurt, manipulate.
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Vera Dieterich Wilsten

THOUGHT
The table with veins becomes a sign of memory. It lives a second life in a context that is newly contextualized. The surface eroded by time leads it to an almost monastic aspect. The chromatic transition from wood to ink to white dress is important. The veins also indicate the scars of every human being. The basin indicates the birthplace of thoughts, from which everything starts. The interpretation has many facets based on the individual.

Vera Dieterich Wilsten

THOUGHT
The table with veins becomes a sign of memory. It lives a second life in a context that is newly contextualized. The surface eroded by time leads it to an almost monastic aspect. The chromatic transition from wood to ink to white dress is important. The veins also indicate the scars of every human being. The basin indicates the birthplace of thoughts, from which everything starts. The interpretation has many facets based on the individual.
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ANNE GREBBY

ART.THOUGHT
The already written scrolls indicate the thoughts that have already been internalized. They will bring forth new and personal ones that will be written at that moment.
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"IL SILENZIO DI FONDO" IS BY LUIGI TURRA

Anne Grebby

Born in Lincoln, England in 1944
1969 - 1988 Lecturer Sheffield Hallam University 1988 - 1994 Head of Painting Course, SHU
1994 - 2004 Fine Art Course Leader, SHU
1998 - 2004 Professor Fine Art, SHU
2004 - 2015 UK Lecturer, External Examiner and Freelance Artist Artist in Residence: The University of Maine, Orano , USA Artists Unlimited, Bielefeld, Germany Raleigh International Expedition to Chile
Studio based in Italy 2004 - 2014
Portland Sculpture and Quarry Trust Residency 2015.

Vera Dieterich Wilsten

Born in Stuttgard, Germany in 1968
1988 - 1989 Stourbridge College of Art and Design, Foundation Course
1989 - 1992 Sheffield Hallam University BA (hons) Fine Art Painting and Printmaking
1993 - 1996 SLADE schoold of Fine Arts
Vera has exhibited in international galleries, in the UK, Germany, France, Italy and Portugal. Professor of art at Sheffield Hallam University of Art - Department of Fine Arts and head of the Printing Department at Winchester School of Art. Her works are present at the Staatgallerie in Stuttgart and in private collections in the UK and Germany.
 

Luigi Turra

Born in 1975.
His main interest is in the sonic balance between silence and the tactile perception of sound.
By manipulating concrete acoustic sources, he develops acoustic paths in which listeners experience continuous pauses and subtly abrasive sonic tensions. Starting from the capture of small sounds and noises, Luigi Turra creates pieces of music, which are references to the beauty of imperfection.
His work is published by labels such as Non Visual Objects (AT) and/OAR (Stati Uniti), Koyuki (IT), White Line (Regno Unito), LINE (Stati Uniti), Dragon's Eye Recordings (Stati Uniti), Trente Oiseaux (DE) e 901 Edizioni (IT).

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